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ARTS

ISSN 2227-6017 (ONLINE), ISSN 2303-9868 (PRINT), DOI: 10.18454/IRJ.2227-6017
ПИ № ФС 77 - 51217, 16+

TENGRIAN ORNAMENTAL STYLE IN MODERN INDUSTRIAL AND DESIGN TEXTILES

Posted in 2020, ARTS, Issue № 06(96) June 2020 | 0 comments

Tengrian culture is one of the ancient cultures of nomadic tribes in the Eurasian space, which appeared at the turn of the 2,000 BC. A creed is a theory of the relationship of man and the supreme principle, combined into the concept of 3 worlds – cosmology, earthly and underground life. Using signs and symbols, they depicted the surrounding world; each sign had a semantic meaning personifying perpetual motion, development, improvement. The image of signs and symbols has not lost its relevance at the present time; designers often used Tengrian symbolism in the performance of decorative and applied items. The goal of the study is a composite solution of Tengrian symbols in photo textiles. The following questions are included in the research task: the significance of Tengrian signs and symbols in the worldview of the surrounding world; compositional solution of signs and symbols in the works of leading designers; the combination of the composition of signs and symbols with ornament; photo textile technology using Tengrian signs.

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ARTISTIC LANGUAGE OF MODERN STYLE IN SOVIET DESIGN

Posted in 2020, ARTS, Issue № 06(96) June 2020 | 0 comments

The paper presents the author’s approach to the study of the design on the cusp of the 1950-1960s as a concept of a new artistic language. Based on a comparative analysis of the space development principles and living environment within the framework of the avant-garde, Soviet neoclassicism, and modern style, a conclusion is drawn about a fundamentally new character and the actual birth of mass design in the late 1950s and early 1960s, which suggested not the adaptation of art to conditions living environment in the form of an artistic utterance (as part of the search for the avant-garde and Soviet neoclassicism), but forming through the industry (furniture, art industry, etc.) new living environment, addressed to a private person.

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CREATIVE PRIORITIES OF THE COMPOSER CEMIL KARIKOV EXEMPLIFIED BY “MINIATURES FOR A STRING QUARTET”

Posted in 2020, ARTS, Issue № 06(96) June 2020 | 0 comments

В данной статье рассматриваются тенденции реализации творческих и мировоззренческих устремлений крымскотатарского композитора Джемиля Карикова. Тематика его произведений часто связана с фольклорными образцами, где в талантливых обработках автор использует полифонические приемы, современные средства музыкального языка, джазовые ритмы. Преломление в композиторском творчестве народных национальных традиций наиболее полно себя проявляет в камерно-инструментальной и камерно-вокальной музыке. Оригинальным опусом композитора является сборник «Миниатюры для струнного квартета», включающий девять пьес. В некоторых их них использованы подлинные народные мелодии. Цель статьи – определение творческой платформы композитора Джемиля Карикова. Задачи заключаются в выявлении индивидуально-стилевых особенностей в «Миниатюрах для струнного квартета».

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PRINCIPLES OF ANALISIS THE AUTHOR’S STYLE IN FASHION ILLUSTRATION

Posted in 2014, ARTS, Issue October 2014 | 0 comments

The article is devoted to the problem of analysis of the author’s style in fashion illustration. The article considers different interpretations of the characteristics of the style, developed in the system of contemporary art theory and fashion. On the basis of the dedicated interpretations and also researches of the author of the article, were defined the main principles of the analysis of the style of fashion illustration.

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ROLE OF NEW INTERACTIVE PRACTICES IN AESTHETICS FORMATION OF MODERN THEATER AND MUSEUM SPACE

Posted in 2020, ARTS, Issue № 05(95) May 2020 | 0 comments

The paper discusses the trend towards interactivity in modern culture, the impact that new technologies have on the development of theatrical art, museum, and exhibition activities. The author analyzed the quest technology as a form of dramatic action, the way the drama theater developed at the beginning of the XXI century towards direct contact with the audience. The examples of intertextuality in a modern theater are considered here as one of the hidden forms of interactive communication with the audience based on the productions of plays by W. Shakespeare in the drama theaters of St. Petersburg. The author makes an attempt e to prove that the format of interactive practices with the use of the latest achievements of innovative visual arts not only expands the boundaries of museums, provides new opportunities for exhibiting works of art, but also leads to an expansion of communication functions, a change the role of the artist in a theater and a museum based on the example of performances and exhibition projects in Moscow and St. Petersburg.

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«…WHAT IT WAS AND WHAT IS IN RUSSIA»: V.V. ROZANOV «AMONG THE ARTISTS»

Posted in 2020, ARTS, Issue № 05(95) May 2020 | 0 comments

The article considers the original key to the phenomena of the art of the Russian thinker Vasily Vasilyevich Rozanov based on the appeal to a number of his works from the “Among the artists” book. Belonging to the Silver Age, having a “melodic soul set” and the artistic order of philosophical consciousness, Rozanov was rooted in the centuries-old traditions of Russian culture.

The article reveals the nature of Rozanov’s thought, gives an idea of the rich spectrum of his philosophical and artistic consciousness, emphasizing archetypal spiritual phenomena, vigilantly revealing the most important meanings of the historical life of Russia.

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FOCUS ON ART OF WORLD WAR II IN CONTEXT OF PROBLEM OF USING TRADITIONAL CULTURAL SYMBOLS

Posted in 2019, ARTS, Issue № 12(90) December 2019 | 0 comments

The paper considers the problem of using the traditional symbolic system, which is introduced into the Soviet culture of the specified period – these images are mostly warlike, which is explained by their importance under the conditions of anticipation and warfare. But here we cannot talk about the dominance of only militaristic aesthetics. The demarcation feature is visible in the appeal to one’s tradition, which distinguished two totalitarian systems that apply their established values to the practices of transforming the self-identification of mankind. We can also trace the development of the cultural atmosphere in the USSR of the studied period during wartime, both in the Soviet poster and in other forms of art, in connection with the appeal to traditional values.

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DESIGN OF MUSIC FESTIVAL “JAZZ OVER DON”

Posted in 2019, ARTS, Issue № 12(90) December 2019 | 0 comments

The goal of this study is to develop the design concept of the festival space for jazz music “Jazz over Don.” The object of research is the formation of the visual design of the festival space of jazz music. The subject of the study is advertising and graphic support of the jazz music festival. The history of jazz music development and jazz festivals were analyzed, the features of the organization and design of the space of the music festival were determined, as well as the design concept of the jazz music festival to cope with this task. The scientific hypothesis is as follows: the festival space with the use of modern graphic software will contribute to the promotion and popularization of jazz music. During the selection of information, the methods of comparison, description, analysis of scientific literature were used, while developing the design concept, the scenario method of designing the festival space was used as well. the feature of the design concept is the use of art therapy by means of fine art. Creating a visual image of jazz music will allow people to express their emotions through creativity and art. The design concept of a music jazz festival can be implemented to strengthen creative contacts between an audience of different ages, different cultures and will support the development of an aesthetic perception of live music through art therapy.

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DICHOTOMY OF PLOT AND PLAY INCORPORATED IN TEXT OF “THE BALD SOPRANO” PLAY BY E. IONESKO

Posted in 2019, ARTS, Issue № 11(89) November 2019 | 0 comments

The paper considers fundamentally important points in the work of a theater director on absurd texts. Play “the Bald Soprano” by E. Ionesco was taken as an example. The author analyzes the play from the point of view of an author’s manner to use a specific language, where many answers to directorial questions are encoded. Among them are the following: how to find the semantic center of the performance, conflict, action, series of events, expressive means. The necessity of creating a two-stage scenic structure that connects the plot (event) line of the performance with the super-story (play) is revealed. The concept of a play is considered in the light of the ideas of J. Huizing. Based on the text, the examples of combining the method of effective analysis of G.A. Tovstonogov and the principles of the paly theater developed by A. Vasiliev are given. It is concluded that, if this integrated approach is used, a director can come up with an interesting and unexpected solution to one of the most difficult plays in the world repertoire, which is “The Bald Soprano” by E. Ionesco.

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ART ASSOCIATIONS OF THE PRC IN THE 21ST CENTURY

Posted in 2019, ARTS, Issue № 11(89) November 2019 | 0 comments

This article discusses Chinese non-governmental associations of artists, determines their place in the art world, their social and legal status. The examples of the activities of several associations of recent decades show the trends in the development of creative life in Chinese society. Despite the differences, the associations referred to in this article share common goals in practical terms; they take on the role of organizers of fine art exhibitions and other cultural events, promote talented young artists and provide them with grant support. This article the part of an idiographic approach with the use of the historical-typological method in synchronous and diachronous aspects. The study is the first attempt in Russian-language literature to generalize, classify, and expound the essence of such a phenomenon as Chinese creative associations and fit them into the contemporary historical and art historical context. Based on the study, the author concludes that despite the differences the associations referred to in this article share common goals in practical terms; they take on the role of organizers of fine art exhibitions and other cultural events, promote young talented artists and provide them with grant support.

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MAIN FEATURES OF NEO-GOTHIC STYLE IN RUSSIA

Posted in 2019, ARTS, Issue № 10(88) October 2019 | 0 comments

Manifestations of the neo-Gothic style are seen in various fields of culture: literature, cinema, music, computer games, fashion, and design. This style was a direct consequence of the contrast inherent for the romanticist’s worldview – “prosaic reality” versus “poetic dreams.” From a purely literary sphere, interest to the Middle Ages began to shift into the sphere of the everyday life of aristocrats creating a kind of fashion for everything “Gothic.” The revival of Gothic themes, neo-Gothic subjects in culture and art actualize the need for systematic analysis of the common and different manifestations of the neo-Gothic phenomenon generalizing the knowledge about it. Neo-Gothic was not considered as a cultural phenomenon, it was not given due attention as a special style. This topic is relevant due to the fact that the concept of style is one of the most important categories in cultural studies, aesthetics, art history, and design. Out of the many definitions of the concept of style, the most general one is the idea of it as a measure of artistic expressiveness, spiritual significance of culture.

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THE DESIGN CONCEPT AS THE ARTISTIC MODEL IN THE CONTEXT OF DESIGN EDUCATION. VERBAL AND VISUAL COMPONENTS

Posted in 2014, ARTS, Issue March 2014 | 0 comments

The article emphasizes the importance of design concepts as meaning the artistic models, training of professional thinking – the organic combination of creative and system started, which is based design Intuition. Discusses the importance of verbal and visual components for mastering the integrity of the method HKM, understanding the essence of the profession.

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THE PROBLEM OF INTERPRETATION OF THE THEME OF THE EAST IN DRAWINGS OF THEATRICAL COSTUMES AND FASHION ILLUSTRATION OF THE EARLY TWENTIETH CENTURY

Posted in 2014, ARTS, Issue March 2014 | 0 comments

The article is devoted to the problem of interpretation of the theme of the East in theatrical costume’s drawings of the early twentieth century and in fashion illustrations. The article made stylistic analysis of Bakst’s drawings of theatrical costumes and other artists and comparison of these drafts with the works of the leading illustrators. The material research can be used in lectures, special courses and seminars are dedicated to the stylistic peculiarities of printed graphics of the beginning of XX century; in the process of training of specialists of Universities; for art critics.

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ON THE CORRELATION OF LAWS, PRINCIPLES, AND RULES OF COMPOSITION IN FINE ART

Posted in 2019, ARTS, Issue № 9(87) September 2019 | 0 comments

The article attempts to clarify a highly specialized issue of the correlation of rules, laws, and principles of composition in fine arts through the prism of their definitions as philosophical categories. The analysis of concepts enables us to assume the absence of its own laws of composition, as in many humanities. However, the possibility of using laws from related sciences that affect visualization is claimed. It is proposed to structure the theory of composition, which has no single standard for training, analysis and professional communication with regard to the conclusions made, therefore, replacing the wording “law of composition” with “principle of composition.”

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FOLK CHOREOGRAPHY AS AN INTEGRAL COMPONENT OF CLASSICAL BALLETS

Posted in 2019, ARTS, Issue № 9(87) September 2019 | 0 comments

The article discusses the reflection of national characters in classical ballet due to the use of folk stage choreography. Folk dance enriches the dancers with the knowledge of the choreographic art, teaches them the manner, the character of performance, develops their musicality, dance capability and emotionality. Art, in particular, choreography preserves and manifests the original cultural heritage of the country and helps in comprehending the cultural heritage of the peoples of the world each of them having a certain national colour. Folk dance is one of the founders of a huge variety of movements and elements in classical ballet in the history of stage dance.

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TARASTI’S COGNITION OF MUSICAL SYMBOL AND ROSEN’S EARLY PRACTICE OF “CLASSICAL STYLE”

Posted in 2019, ARTS, Issue № 8(86) August 2019 | 0 comments

Generally speaking, when it comes to music style, people always analyze and explain the language form of compositions, and consider the melody, texture, harmony, tonality, orchestration and form one by one. The scientific and calm analysis is often presented by charts, followed by the summary text “transformation” description. Tarasti’s music symbolization cognitive attempts to break this traditional theoretical model, while Rosen’s “classical style” analysis practice reconstructs the symbolized music narrative of group style.

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LATE PERIOD IN THE WORKS OF PIERO DELLA FRANCESCA

Posted in 2019, ARTS, Issue № 7(85) July 2019 | 0 comments

The article is devoted to the late period of the works of Piero della Francesca, the artist of the Early Renaissance. The influence of the perspective on the late works of the author is analyzed, the scientific research of geometry and problems of perspective conducted by the artist is considered. The parallels in the works of Piero della Francesca with the works of the masters of the Netherlands and Florentine school are revealed. Based on the study, conclusions were made about the role of Piero della Francesca in the formation of the canon of pictorial space in Western Europe, and the contribution to the intellectual and artistic heritage of the Renaissance was analyzed.

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CHINESE BIRD AND FLOWER PAINTING (HUA-NIAO): ENCRYPTED MEANINGS

Posted in 2019, ARTS, Issue № 6(84) June 2019 | 0 comments

The article is devoted to the study of the symbolic meaning of the hua-niao paintings (“bird and flower painting”) – one of the main genres of the traditional Chinese painting. The paper substantiates the idea that many pictures of the genre in question contain peculiar puzzles. The connection between the allegorical meanings of images and the specifics of the Chinese language is revealed. The article discusses the symbolism of the most common images in the genre of hua-niao – the images of birds (crane, duck, heron, rooster, magpie, quail, swallow).

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SOME PLOT AND COMPOSITIONAL FEATURES OF THE “KING LEAR” OPERA BY S. SLONIMSKY (IN LINE WITH INTERACTION WITH THE ORIGINAL SOURCE)

Posted in 2019, ARTS, Issue № 5(83) May 2019 | 0 comments

This article is devoted to identifying the plot and compositional features of the Sergei Slonimsky’s opera “King Lear” in their interaction with the plot of the tragedy of the same name by William Shakespeare. It discusses the composer’s working methods with the text of Shakespeare’s original source, identifies the main dramatic lines and plot motifs. Two compositional plans were singled out as a result of the analysis of the operatic libretto: specific-event-based (which, in turn, develops in two parallel lines, the second being a mirror image of the first) and generalized-symbolic (commenting). In this regard, the introduction of new actors into the opera, performing the function of commentary, is justified.

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TRENDS IN THE USE OF INNOVATIVE TEXTILE IN MODERN PRACTICE OF CLOTHING DESIGN

Posted in 2019, ARTS, Issue №4(82) April 2019 | 0 comments

This article discusses the trends in the use of innovative materials in the design of modern fashionable and special clothing. The overview of current trends in the designing of innovative textiles is presented in the paper. The characteristic features of the use of passive, active and ultra-intelligent materials in terms of their functions, capabilities, aesthetic qualities and ergonomic properties are revealed. The authors consider some specific examples of the use of waterproof, heat-resistant, fire-resistant, heat-preserving, form-preserving materials, biotextiles, spray materials, as well as materials created using photochromatic inks, multi-touch inks, fiber optics, LEDs, solar batteries, microencapsulated substances in fashion design. The possibilities of creating patterns of interactive clothing through the integration of fibers and gadgets of various kinds into the material and structure of the suit are considered. The result of the analysis of the most striking works of modern designers with the use of innovative materials in their design and creative activities was the rationale for the need for a conceptual and synthetic approach to the design of a modern suit for various purposes.

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