Pages Navigation Menu
Submit scientific paper, scientific publications, International Research Journal | Meždunarodnyj naučno-issledovatel’skij žurnal

ARTS

ISSN 2227-6017 (ONLINE), ISSN 2303-9868 (PRINT), DOI: 10.18454/IRJ.2227-6017
ПИ № ФС 77 - 51217, 16+

FOCUS ON ART OF WORLD WAR II IN CONTEXT OF PROBLEM OF USING TRADITIONAL CULTURAL SYMBOLS

Posted in 2019, ARTS, Issue № 12(90) December 2019 | 0 comments

The paper considers the problem of using the traditional symbolic system, which is introduced into the Soviet culture of the specified period – these images are mostly warlike, which is explained by their importance under the conditions of anticipation and warfare. But here we cannot talk about the dominance of only militaristic aesthetics. The demarcation feature is visible in the appeal to one’s tradition, which distinguished two totalitarian systems that apply their established values to the practices of transforming the self-identification of mankind. We can also trace the development of the cultural atmosphere in the USSR of the studied period during wartime, both in the Soviet poster and in other forms of art, in connection with the appeal to traditional values.

Read More

DESIGN OF MUSIC FESTIVAL “JAZZ OVER DON”

Posted in 2019, ARTS, Issue № 12(90) December 2019 | 0 comments

The goal of this study is to develop the design concept of the festival space for jazz music “Jazz over Don.” The object of research is the formation of the visual design of the festival space of jazz music. The subject of the study is advertising and graphic support of the jazz music festival. The history of jazz music development and jazz festivals were analyzed, the features of the organization and design of the space of the music festival were determined, as well as the design concept of the jazz music festival to cope with this task. The scientific hypothesis is as follows: the festival space with the use of modern graphic software will contribute to the promotion and popularization of jazz music. During the selection of information, the methods of comparison, description, analysis of scientific literature were used, while developing the design concept, the scenario method of designing the festival space was used as well. the feature of the design concept is the use of art therapy by means of fine art. Creating a visual image of jazz music will allow people to express their emotions through creativity and art. The design concept of a music jazz festival can be implemented to strengthen creative contacts between an audience of different ages, different cultures and will support the development of an aesthetic perception of live music through art therapy.

Read More

DICHOTOMY OF PLOT AND PLAY INCORPORATED IN TEXT OF “THE BALD SOPRANO” PLAY BY E. IONESKO

Posted in 2019, ARTS, Issue № 11(89) November 2019 | 0 comments

The paper considers fundamentally important points in the work of a theater director on absurd texts. Play “the Bald Soprano” by E. Ionesco was taken as an example. The author analyzes the play from the point of view of an author’s manner to use a specific language, where many answers to directorial questions are encoded. Among them are the following: how to find the semantic center of the performance, conflict, action, series of events, expressive means. The necessity of creating a two-stage scenic structure that connects the plot (event) line of the performance with the super-story (play) is revealed. The concept of a play is considered in the light of the ideas of J. Huizing. Based on the text, the examples of combining the method of effective analysis of G.A. Tovstonogov and the principles of the paly theater developed by A. Vasiliev are given. It is concluded that, if this integrated approach is used, a director can come up with an interesting and unexpected solution to one of the most difficult plays in the world repertoire, which is “The Bald Soprano” by E. Ionesco.

Read More

ART ASSOCIATIONS OF THE PRC IN THE 21ST CENTURY

Posted in 2019, ARTS, Issue № 11(89) November 2019 | 0 comments

This article discusses Chinese non-governmental associations of artists, determines their place in the art world, their social and legal status. The examples of the activities of several associations of recent decades show the trends in the development of creative life in Chinese society. Despite the differences, the associations referred to in this article share common goals in practical terms; they take on the role of organizers of fine art exhibitions and other cultural events, promote talented young artists and provide them with grant support. This article the part of an idiographic approach with the use of the historical-typological method in synchronous and diachronous aspects. The study is the first attempt in Russian-language literature to generalize, classify, and expound the essence of such a phenomenon as Chinese creative associations and fit them into the contemporary historical and art historical context. Based on the study, the author concludes that despite the differences the associations referred to in this article share common goals in practical terms; they take on the role of organizers of fine art exhibitions and other cultural events, promote young talented artists and provide them with grant support.

Read More

MAIN FEATURES OF NEO-GOTHIC STYLE IN RUSSIA

Posted in 2019, ARTS, Issue № 10(88) October 2019 | 0 comments

Manifestations of the neo-Gothic style are seen in various fields of culture: literature, cinema, music, computer games, fashion, and design. This style was a direct consequence of the contrast inherent for the romanticist’s worldview – “prosaic reality” versus “poetic dreams.” From a purely literary sphere, interest to the Middle Ages began to shift into the sphere of the everyday life of aristocrats creating a kind of fashion for everything “Gothic.” The revival of Gothic themes, neo-Gothic subjects in culture and art actualize the need for systematic analysis of the common and different manifestations of the neo-Gothic phenomenon generalizing the knowledge about it. Neo-Gothic was not considered as a cultural phenomenon, it was not given due attention as a special style. This topic is relevant due to the fact that the concept of style is one of the most important categories in cultural studies, aesthetics, art history, and design. Out of the many definitions of the concept of style, the most general one is the idea of it as a measure of artistic expressiveness, spiritual significance of culture.

Read More

THE DESIGN CONCEPT AS THE ARTISTIC MODEL IN THE CONTEXT OF DESIGN EDUCATION. VERBAL AND VISUAL COMPONENTS

Posted in 2014, ARTS, Issue March 2014 | 0 comments

The article emphasizes the importance of design concepts as meaning the artistic models, training of professional thinking – the organic combination of creative and system started, which is based design Intuition. Discusses the importance of verbal and visual components for mastering the integrity of the method HKM, understanding the essence of the profession.

Read More

THE PROBLEM OF INTERPRETATION OF THE THEME OF THE EAST IN DRAWINGS OF THEATRICAL COSTUMES AND FASHION ILLUSTRATION OF THE EARLY TWENTIETH CENTURY

Posted in 2014, ARTS, Issue March 2014 | 0 comments

The article is devoted to the problem of interpretation of the theme of the East in theatrical costume’s drawings of the early twentieth century and in fashion illustrations. The article made stylistic analysis of Bakst’s drawings of theatrical costumes and other artists and comparison of these drafts with the works of the leading illustrators. The material research can be used in lectures, special courses and seminars are dedicated to the stylistic peculiarities of printed graphics of the beginning of XX century; in the process of training of specialists of Universities; for art critics.

Read More

ON THE CORRELATION OF LAWS, PRINCIPLES, AND RULES OF COMPOSITION IN FINE ART

Posted in 2019, ARTS, Issue № 9(87) September 2019 | 0 comments

The article attempts to clarify a highly specialized issue of the correlation of rules, laws, and principles of composition in fine arts through the prism of their definitions as philosophical categories. The analysis of concepts enables us to assume the absence of its own laws of composition, as in many humanities. However, the possibility of using laws from related sciences that affect visualization is claimed. It is proposed to structure the theory of composition, which has no single standard for training, analysis and professional communication with regard to the conclusions made, therefore, replacing the wording “law of composition” with “principle of composition.”

Read More

FOLK CHOREOGRAPHY AS AN INTEGRAL COMPONENT OF CLASSICAL BALLETS

Posted in 2019, ARTS, Issue № 9(87) September 2019 | 0 comments

The article discusses the reflection of national characters in classical ballet due to the use of folk stage choreography. Folk dance enriches the dancers with the knowledge of the choreographic art, teaches them the manner, the character of performance, develops their musicality, dance capability and emotionality. Art, in particular, choreography preserves and manifests the original cultural heritage of the country and helps in comprehending the cultural heritage of the peoples of the world each of them having a certain national colour. Folk dance is one of the founders of a huge variety of movements and elements in classical ballet in the history of stage dance.

Read More

TARASTI’S COGNITION OF MUSICAL SYMBOL AND ROSEN’S EARLY PRACTICE OF “CLASSICAL STYLE”

Posted in 2019, ARTS, Issue № 8(86) August 2019 | 0 comments

Generally speaking, when it comes to music style, people always analyze and explain the language form of compositions, and consider the melody, texture, harmony, tonality, orchestration and form one by one. The scientific and calm analysis is often presented by charts, followed by the summary text “transformation” description. Tarasti’s music symbolization cognitive attempts to break this traditional theoretical model, while Rosen’s “classical style” analysis practice reconstructs the symbolized music narrative of group style.

Read More

LATE PERIOD IN THE WORKS OF PIERO DELLA FRANCESCA

Posted in 2019, ARTS, Issue № 7(85) July 2019 | 0 comments

The article is devoted to the late period of the works of Piero della Francesca, the artist of the Early Renaissance. The influence of the perspective on the late works of the author is analyzed, the scientific research of geometry and problems of perspective conducted by the artist is considered. The parallels in the works of Piero della Francesca with the works of the masters of the Netherlands and Florentine school are revealed. Based on the study, conclusions were made about the role of Piero della Francesca in the formation of the canon of pictorial space in Western Europe, and the contribution to the intellectual and artistic heritage of the Renaissance was analyzed.

Read More

CHINESE BIRD AND FLOWER PAINTING (HUA-NIAO): ENCRYPTED MEANINGS

Posted in 2019, ARTS, Issue № 6(84) June 2019 | 0 comments

The article is devoted to the study of the symbolic meaning of the hua-niao paintings (“bird and flower painting”) – one of the main genres of the traditional Chinese painting. The paper substantiates the idea that many pictures of the genre in question contain peculiar puzzles. The connection between the allegorical meanings of images and the specifics of the Chinese language is revealed. The article discusses the symbolism of the most common images in the genre of hua-niao – the images of birds (crane, duck, heron, rooster, magpie, quail, swallow).

Read More

SOME PLOT AND COMPOSITIONAL FEATURES OF THE “KING LEAR” OPERA BY S. SLONIMSKY (IN LINE WITH INTERACTION WITH THE ORIGINAL SOURCE)

Posted in 2019, ARTS, Issue № 5(83) May 2019 | 0 comments

This article is devoted to identifying the plot and compositional features of the Sergei Slonimsky’s opera “King Lear” in their interaction with the plot of the tragedy of the same name by William Shakespeare. It discusses the composer’s working methods with the text of Shakespeare’s original source, identifies the main dramatic lines and plot motifs. Two compositional plans were singled out as a result of the analysis of the operatic libretto: specific-event-based (which, in turn, develops in two parallel lines, the second being a mirror image of the first) and generalized-symbolic (commenting). In this regard, the introduction of new actors into the opera, performing the function of commentary, is justified.

Read More

TRENDS IN THE USE OF INNOVATIVE TEXTILE IN MODERN PRACTICE OF CLOTHING DESIGN

Posted in 2019, ARTS, Issue №4(82) April 2019 | 0 comments

This article discusses the trends in the use of innovative materials in the design of modern fashionable and special clothing. The overview of current trends in the designing of innovative textiles is presented in the paper. The characteristic features of the use of passive, active and ultra-intelligent materials in terms of their functions, capabilities, aesthetic qualities and ergonomic properties are revealed. The authors consider some specific examples of the use of waterproof, heat-resistant, fire-resistant, heat-preserving, form-preserving materials, biotextiles, spray materials, as well as materials created using photochromatic inks, multi-touch inks, fiber optics, LEDs, solar batteries, microencapsulated substances in fashion design. The possibilities of creating patterns of interactive clothing through the integration of fibers and gadgets of various kinds into the material and structure of the suit are considered. The result of the analysis of the most striking works of modern designers with the use of innovative materials in their design and creative activities was the rationale for the need for a conceptual and synthetic approach to the design of a modern suit for various purposes.

Read More

“RUSSIAN DANCE” BY P.I. TCHAIKOVSKY (FROM “SWAN LAKE” BALLET) IN KASYAN GOLEIZOVSKY PRODUCTION

Posted in 2019, ARTS, Issue №2(80) February 2019 | 0 comments

The article briefly traces the history of the stage productions of the Russian Dance to the music by P.I. Tchaikovsky from the “Swan Lake” ballet. Particular attention is paid to the production of K.Ya. Goleizovsky created in 1966. The choreographer’s passion for the history of art in Central Asia and Eastern countries is reflected in the choreographic vocabulary of the work. Today, “Russian Dance” is one of the most popular miniatures from the K.Ya. Goleizovsky’s heritage. The concerted number is performed by both professional ballerinas and students of children’s art schools. This poses the problem of preserving the original choreographic text of the work.

Read More

DRAGON IMAGES ON ANCIENT CHINESE BRONZE MIRRORS

Posted in 2018, ARTS, Issue №11(77) November 2018 | 0 comments

Ghosts, plants, flowers, birds and fish, plots of fairy tales, religious legends, etc. carved on the backs of ancient Chinese bronze mirrors reflect the wisdom and talents of ancient artisans and the artistic traditions of the Chinese nation. These are magical and delicate patterns which are also a reflection of political, economic and cultural experience of different eras. This article analyzes the development of dragon images which is related to the development of ancient bronze mirrors.

Read More

«FLOWERS AND BIRDS» CHINESE PAINTINGS IN SOVIET ARTS

Posted in 2018, ARTS, Issue №1(67) January 2018 | 0 comments

The article describes the traditional Chinese painting, called “flowers and birds”. The author conducted the analysis of publications on Chinese arts and painting that had been published during the pre-revolutionary period. The transformation process of the “painting flowers and birds” term into the “flowers and birds” genre, based on the fundamental publications of prominent Soviet art historians is analysed and presented on the example of publications in Soviet editions on art history. The explanation of the terminological confusion in the basic concepts of “huanyao” and “huanyaohua” is given, as well as the terms of their use and their interconnection, which can be seem in Soviet and Russian art history.

Read More

FOLKLORE DANCE AND ITS IMPACT ON THE DEVELOPMENT OF PERSONALITY IN DANCE TROUPES

Posted in 2018, ARTS, Issue №1(67) January 2018 | 0 comments

The following article discusses the issues of personality formation in the context of the art of choreography. The study gives an assessment of the impact of folklore dance classes on the personality of the participants of dance troupes. The structural principle of the classification of folk choreography has a specific historical character and helps to restore (reconstruct) those folkloric patterns that were forgotten and lost by people. Many factors of reality are reflected in the structure of folklore works including the social function of dance.

Read More

A.G. SCHNITTKE. PIANISSIMO — A “NAME” OR A PROCESS

Posted in 2018, ARTS, Issue №1(67) January 2018 | 0 comments

“Pianissimo” by A.G. Schnittke is a significant work in the history of a culture of the 20th century. The article considers the dramaturgy of the work from the point of view of the development of loud dynamics, which plays an important role in its formation. Pianissimo appears in two ways: as the name of silence with its support on the logic of the lyrical statement (which becomes the embodiment of a natural, impersonal beginning) and as the potentiality of forte, representing a conflict type of drama (which opens the beginning of a cultural, personal). Their connection generates a special type — a silence as an insight.

Read More

POETIC AND MUSICAL INTONATION OF CHAMBER VOCAL WORKS: TO THE UPDATE OF ANALYTICAL TECHNIQUE

Posted in 2018, ARTS, Issue №1(67) January 2018 | 0 comments

The article considers the specifics of intonation analysis of chamber vocal works and the necessity to replenish the corresponding analytical tools. The author’s technique of disclosing the main features of music and words interaction based on the comparison of verse intonation, on the one hand, and melodic / harmonic intonation, on the other hand, is suggested. The effectiveness of applying the methodology both for research and in the process of teaching students of musical specialties and directions is noted.

Read More