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ARTS

ISSN 2227-6017 (ONLINE), ISSN 2303-9868 (PRINT), DOI: 10.18454/IRJ.2227-6017
ПИ № ФС 77 - 51217

«FLOWERS AND BIRDS» CHINESE PAINTINGS IN SOVIET ARTS

Posted in 2018, ARTS, Issue №1(67) January 2018 | 0 comments

The article describes the traditional Chinese painting, called “flowers and birds”. The author conducted the analysis of publications on Chinese arts and painting that had been published during the pre-revolutionary period. The transformation process of the “painting flowers and birds” term into the “flowers and birds” genre, based on the fundamental publications of prominent Soviet art historians is analysed and presented on the example of publications in Soviet editions on art history. The explanation of the terminological confusion in the basic concepts of “huanyao” and “huanyaohua” is given, as well as the terms of their use and their interconnection, which can be seem in Soviet and Russian art history.

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FOLKLORE DANCE AND ITS IMPACT ON THE DEVELOPMENT OF PERSONALITY IN DANCE TROUPES

Posted in 2018, ARTS, Issue №1(67) January 2018 | 0 comments

The following article discusses the issues of personality formation in the context of the art of choreography. The study gives an assessment of the impact of folklore dance classes on the personality of the participants of dance troupes. The structural principle of the classification of folk choreography has a specific historical character and helps to restore (reconstruct) those folkloric patterns that were forgotten and lost by people. Many factors of reality are reflected in the structure of folklore works including the social function of dance.

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A.G. SCHNITTKE. PIANISSIMO — A “NAME” OR A PROCESS

Posted in 2018, ARTS, Issue №1(67) January 2018 | 0 comments

“Pianissimo” by A.G. Schnittke is a significant work in the history of a culture of the 20th century. The article considers the dramaturgy of the work from the point of view of the development of loud dynamics, which plays an important role in its formation. Pianissimo appears in two ways: as the name of silence with its support on the logic of the lyrical statement (which becomes the embodiment of a natural, impersonal beginning) and as the potentiality of forte, representing a conflict type of drama (which opens the beginning of a cultural, personal). Their connection generates a special type — a silence as an insight.

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POETIC AND MUSICAL INTONATION OF CHAMBER VOCAL WORKS: TO THE UPDATE OF ANALYTICAL TECHNIQUE

Posted in 2018, ARTS, Issue №1(67) January 2018 | 0 comments

The article considers the specifics of intonation analysis of chamber vocal works and the necessity to replenish the corresponding analytical tools. The author’s technique of disclosing the main features of music and words interaction based on the comparison of verse intonation, on the one hand, and melodic / harmonic intonation, on the other hand, is suggested. The effectiveness of applying the methodology both for research and in the process of teaching students of musical specialties and directions is noted.

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DYNAMIC INTONING OF PIANOFORTE MELODY

Posted in 2018, ARTS, Issue №1(67) January 2018 | 0 comments

In this paper, the practice of pianoforte intoning is studied based on computer musical-acoustic analysis. The interrelationships of melodic relief and loudness of individual tones are studied on the basis of sound recordings of works performed by outstanding pianists of the past and modern times. It is assumed that the existing methods of compressing the dynamic range of a signal in a sound recording (compander), changing the absolute values of the intensity of sounds, do not affect the relative proportions of tones between themselves. The relative proportions of melody tones by intensity in sound recording are preserved, which enables computer measurements of the intensity profile of the melody in sound recording. The obtained data, generalizations and interrelations are interpreted in the theory of performing arts. As a result, three ways of loud intonation of the melody were found: parallel, opposite and free. Multilayer dynamic intonation of single-colored melodies, a special type of performing hidden polyphony, is of a particular interest.

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NOGAI GROUP OF WOMEN DECORATIONS IN THE JEWELERY OF DAGHESTAN

Posted in 2018, ARTS, Issue №1(67) January 2018 | 0 comments

The jewelry art of the Nogais living in the territory of modern Dagestan has local features, which served as a prerequisite for the allocation of women’s jewelry in a separate group. Insufficient study of the problem, meager museum collections, prompted the author to disclose a number of issues related to the identification of original features and artistic features of women’s jewelry of the Karanogais. In the present work a classification of products according to the form, method of wearing, classification of ornamental motifs is considered. The results of the research will help to fill the gap in the study of jewelry art in Dagestan.

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CHILDREN’S PORTRAIT IN RUSSIAN PAINTING OF XVIII CENTURY

Posted in 2017, ARTS, Issue №12(66) December 2017 | 0 comments

The paper considers the main stages of the Russian children’s portrait developemnt in the XVIII century. The works of the founder of this direction, I.Ya. Vishnyakova are considered, as well as the most outstanding representatives of this era: F.S. Rokotov, D.G. Levitsky, V.L. Borovikovsky. The interest to the image of the child, as an individual was revealed in the painting, the disclosing of its inner world in all its beauty and childhood innocence. The characteristic features are mentioned in the use of color in demonstration to the tenderness of a young age, as well as the tendency for the child’s image to be the central element of the composition.

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DEVELOPMENT OF REPRESENTATIONS OF CHINESE CULTURE IN IMAGES OF TAO HOA IN PRESENTATIONS OF RED POPPY BALLET DURING SOVIET PERIOD

Posted in 2017, ARTS, Issue №12(66) December 2017 | 0 comments

The article reveals the evolution of ideas about Chinese culture in “Red Poppy” ballet on the example of the image interpretation of the main lady character of the ballet, Tao Hoa. The cultural, social and political foundations of “Red Poppy” ballet can be noticed in the plays in Bolshoi Theater, directed in Moscow in 1927, 1949 and 1957, as well as those directed in Kirov SATOB in Leningrad in 1929, 1949 and 1958. Some historical and political conditions of the ballet’s stage life are reflected, they were the reasons for the dynamics of the China image in “Red Poppy” ballet during the Soviet period.

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SPECIFICITY OF MUSICAL LANGUAGE IN CHAMBER AND VOKAL WORKS OF G.G. VDOVIN: PROBLEM OF NATIONAL AND INNATIONAL

Posted in 2017, ARTS, Issue №12(66) December 2017 | 0 comments

The topicality of this paper is due to the need to study the chamber and vocal works of G. G. Vdovin as one of the brightest representatives of the national composer school of Mordovia. The specific character of the composer’s musical language is considered in this work, its national sources are emphasized. It can be found in the harmonious and textural relationships, intonational themes, rhythmic formulas, poetics, genre and musical stylistics. The polystyle character of his work is singled out, which is manifested in the “national” (folk and professional music of moksha and erzi in the context of traditional culture and interethnic relations) and “foreign” (style trends of Finno-Ugric, Russian folk, and professional and classical, contemporary music of XX -XXI centuries) categories. The deep national thinking of the composer is characterized by an appeal to the musical means of the Mordovian folk song and instrumental creativity, the use of “folklore thematicism”, which is expressed in the application of the angeliton trichordism, the autochthonous bourdon polyphony of Mordvinian singing (styles of two-three-part polyphony), elements of the traditional style of the second tertiary, heterophonies of a monoid type.

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FESTIVAL MOVEMENT OF KAZAKHSTAN — INNOVATIVE CAPACITY OF THE COUNTRY

Posted in 2017, ARTS, Issue №12(66) December 2017 | 0 comments

The authors of the article consider the formation of the festival movement in Kazakhstan in a historical aspect. The analysis of actory festivals in Almaty during the period of independence is conducted, their specifics and features are revealed. The ways of festival movement development, its role in strengthening of international cultural cooperation are revealed. The emergence of art festivals of people with disabilities served as a creative stimulus for the activation of theater groups.

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ICONOGRAPHY OF CONSUMER PRODUCTS IN POP-ART: FROM ANDY WARHOL TO JEREMY SCOTT

Posted in 2017, ARTS, Issue №11(65) November 2017 | 0 comments

Pop art is one of the most discussed topics both among researchers and among consumers of art being one of the brightest trends in contemporary fine art. This article discusses the connection between the creative principles of pop art of the 60s and its dynamics at the beginning of the 21st century. The task of the research is to trace the influence of creativity of the cult personality of pop art, Andy Warhol, on the work of contemporary artist in the field of clothes creation, Jeremy Scott. We revealed the peculiarities of style in the work of two artists formed under the influence of consumer culture on the basis of comparative analysis. The aesthetic significance of the works of pop art and the increased popularity of style exposes the need for more detailed research of this trend in contemporary art and in the art of making clothes, in particular. The study brings to mind only one direction of pop art, namely the iconography of “edible” consumer products. The purpose of the study is to look into the semantic meaning of iconography and its graphic features in pop art of the 60s, as well as in the newest history of style development.

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SCREEN IMAGE AS A MEANS OF IDEOLOGICAL PROPAGANDA: WAYS AND METHODS OF CREATION (ON THE MATERIAL OF L. RIEFENSTAHL FILM “OLYMPIA”)

Posted in 2017, ARTS, Issue №11(65) November 2017 | 0 comments

The article is devoted to the analysis of the means of screen expressiveness built on the combination of visual, sound and verbal semantic series used by Leni Riefenstahl in the film “Olympia”, representing the 1936 Olympic Games in Berlin, during the reign of the NSDAP and the triumph of Nazi ideology. The purpose of the article is to show ideological, propagandistically oriented screen images and propagandistically neutral ones, to reveal methods for creating a screen image aimed at fulfilling the propaganda task and to assess the importance of knowledge of nature and the mechanisms of screen propaganda as a means of overcoming the influence of manipulative and propagandistically imprisoned for fulfilling the ideological task of the media as effective means of counterpropaganda at the present time.

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“PERM” STYLE AS A CULTURAL PROJECT AND EXPRESSION OF REGIONAL IDENTITY

Posted in 2017, ARTS, Issue №11(65) November 2017 | 0 comments

The paper is devoted to the problems of studying regional identity in the modern Russia. Based on the postulates of the institutional theory, the process of the Permian identity formation during the period of 2000-2010 is shown. The contents of the Perm cultural project and its stylistic component (“Perm” style) are revealed. The conclusion is as follows: in 2017 a new stage in the “Perm” uniqueness promoting process through symbolic representation and internal and external regional image has begun. At the same time, the problem of “the weakness of people’s sense of their community” and cultural unity in Perm is still not solved today. In order to be among the regions of Russia with a strong cultural core, it is necessary to introduce effective mechanisms for constructing a “Perm” style. External interventions are not enough here, one needs to appeal to internal resources, it seems that one of those could be the fixing of a complex of elements of the “Perm” style in the home interior of living environment.

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NATIONAL “ALTERNATIVE” OPERA ON THE EDGE OF XX – XXI CENTURIES: A NEW LOOK ON THE GENRE

Posted in 2017, ARTS, Issue № 9(63) September 2017 | 0 comments

The main tendencies of modern national opera development are defined in the article; it introduces the author’s concept of “alternative” opera; the characteristics of some of the opera types are given. The ideas of B.A.Zimmermann on the new synthesis of arts in the total or pluralistic musical theater of the XX century have gained momentum in modern national opera. The presented article contains examples of alternative operas that implement the principles of the new synthesis, such as the “spiritual circus” of A.Kneifel, the media opera I.Yusupova and others. The works for the musical theater of D. Kurlyandsky and S. Nevsky, contain a modification of the genre structure and musical material despite the fact that they are defined as opera by the authors. Based on the analysis of works for the opera theater written at the turn of the 20th and 21st centuries, the author raises the question of extending the boundaries of the concept of “opera” at the beginning of the 21st century.

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ON ACCOUNTING OF THE QUALITY OF ART AT ITS VALUE ESTIMATION

Posted in 2017, ARTS, Issue № 9(63) September 2017 | 0 comments

The issue of estimating the quality of the works of art, which is a subject of intellectual property, is considered in the article. Quality evaluation is determined with the help of qualimetry methods and elements of the quality management system. The main participants of the process of selling and buying the works of art as well as goals the buyer may pursue are singled out. The mechanism of the formalized evaluation of the cost of a work of art based on the calculation of the sum of weighted values of the quality indicators of a work is proposed. It is characterized by the fact that there is a correlation between the quality indicators and their ratings with the properties of the product taken as a standard. For the operative decision at value estimation we use the concept of the alphabet of images of a work of art.

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COMMONWEALTH OF ARTISTS OF CHINA IN THE CONTEXT OF THE CHINESE ARTISTIC CULTURE IN 1949-1957

Posted in 2017, ARTS, Issue № 7(61) July 2017 | 0 comments

The article presents a brief outline of the development of the Commonwealth of Artists of China from the time of its foundation to the reorganization in 1949-1950 and up to the beginning of the “100 Flowers” campaign in 1956. Large-scale social and political changes in the country and the policy of the Communist Party of China determined main trends in art and Chinese artists had to follow them. Three main artistic trends of the time included national painting (guo hua), mass art and oil painting, created under the influence of Soviet art. Depending on the situation, each of them went to the forefront of China’s artistic life in 1949-1957.

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INFLUENCE OF INTERNET CULTURE ON MODERN PRINTS IN CLOTHING

Posted in 2017, ARTS, Issue № 7(61) July 2017 | 0 comments

The characteristic features of postmodern visual language in modern fashion prints are considered in the article. The Internet-aesthetics or display aesthetics has a huge impact on its formation and content. The symbols of mass culture, reproductions of works of art, photos of celebrities and insignificant inscriptions adjoin each other on web pages and form a heterogeneous and motley canvas, which is then transferred by designers to fabric and weaves into the everyday appearance of people. The eclecticism, citation and irony, chaotic mixing of true taste and kitsch are the key principles of this form. The considered visual language becomes a kind of communication between people, consumers and fashion, free creativity of the Internet space and professionalism.

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CHRONOTOPE OF THE ACT

Posted in 2017, ARTS, Issue № 7(61) July 2017 | 0 comments

At the very beginning of his work “Form of Time and Chronotope in the Novel,” M. M. Bakhtin draws the lines of his literary research and does not consider the chronotope in other cultural fields. This makes the look at the chronotope from the point of view of natural sciences, dialectical philosophy, psychology, semiotics, theatrical business, the baroque theory of affects particularly interesting. It assure us that the chronotope is a point of existence, where time, space, energy, meaning, will and “the responsibility of an actor and person for the relevance of the game, because the whole game altogether is a responsible act” are converged. Thus, the chronotope closes at the point of an act (the reverse is obvious).

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ACTUAL COMMUNICATION: TYPOLOGY OF INTERACTION IN THE SPACE OF THE MUSEUM OF MODERN ART

Posted in 2017, ARTS, Issue № 7(61) July 2017 | 0 comments

The paper is devoted to the comprehension of various types of communication in the space of the Museum of Modern Art, which introduce new forms of dialogue and communication between the visitor and the object of art. The issue of the formation of modern art in the context of an art history is discussed. It is shown that the emergence of new types of art works forms the creative thinking of the spectator. The author comes to the conclusion that actual artistic practices develop in the context of a multicultural approach, which is characterized by synergistic, dialogic and communicative aspects.

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CHESTPLATE AS AN INTEGRAL COMPONENT OF THE BASHKIR PEOPLE’S COSTUME (TERRITORIAL DIFFERENCES, SEMANTICS AND WAYS OF DECORATING)

Posted in 2017, ARTS, Issue № 6(60) June 2017 | 0 comments

The purpose of the research is to study the functions and options for the chestplates as an important component of a folk costume, which helps to present a costume as a single artistic system. In addition, separate links of this accessory with the elements of decoration of the traditional interior of a Bashkir dwelling are established. The tasks solved in the article include finding territorial differences of chestplates and the influence of natural and geographical factors and the way of life on these distinctions, and considering symbolic and artistic functions of chestplates and their role in creating a complete appearance of the costume complex. Practical purpose of the research is to deepen the notion of the Bashkir folk art with the help of a chestplate as one of the main components of a costume.

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