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ARTS

ISSN 2227-6017 (ONLINE), ISSN 2303-9868 (PRINT), DOI: 10.18454/IRJ.2227-6017
ПИ № ФС 77 - 51217, 16+

THE IMAGE OF A WOLF IN BURYAT FOLKLORE

Posted in 2020, ARTS, Issue № 11(101) November 2020 | 0 comments

The article discusses the semantics of the image of the Сhonos wolf in the traditional culture of the Buryats. The mythological image of the wolf is the subject of the Turkic and Mongolian legends, which reflect the sacred cult of the primal wolf forefather. The article contains a unique transcript of an audio recording of the shaman’s summoning (durdalg) of the tribal Chonos totem by the Western Buryats, Ekhirid, who moved to the Baikal-Kudarinskiy and Kabanskiy region of the Republic of Buryatia from Cisbaikalia in the XVIII century. The recording of the summoning performed by the tribal shaman Ermoev Ivan Vasil’evitch (1938-2014) was made by the author during the musical ethnographic expedition of the Institute of Mongolian Studies, Buddhology and Tibetology of the Siberian Branch of the Russian Academy of Sciences in the village of Korsakovo Kabansky district of the Republic of Buryatia in the summer of 2012.

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PECULIARITIES OF FORMATION OF THE SPECIFIC LANGUAGE OF THE OUTDOOR ADVERTISING

Posted in 2014, ARTS, Issue December 2014 | 0 comments

The article outlines the main criteria for the formation of the specific language of the outdoor advertising. The methods of transmitting information specific to this kind of artistic activity. Analyzed imaginative, artistic and psychological aspects of the formation of the language of modern outdoor advertising. Indicated the importance of studying the process of designing outdoor advertising.

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ON THE FOLKLORIC ORIGINS IN THE WORKS OF MODERN CRIMEAN TATAR COMPOSER FEVZI ALIEV

Posted in 2020, ARTS, Issue № 10(100) October 2020 | 0 comments

Works of Crimean Tatar composers are an integral part of the nation’s culture. Their new generation that came into view in the 1960s expanded the genre varieties of the national art of music. We shall pay attention to Fevzi Aliev, a well-known folklorist, the author of the “Anthology of Crimean Tatar folk music”, the creator of numerous songs and instrumental pieces (mostly for piano accordion). In 1996, by creating the song “Eminem”, he initiated the progress of Crimean Tatar pop music. His artistic creed is intimately bound with folk music, which he comprehensively disclosed in his works. Fevzi Aliev’s style is seen in the piano accordion suite “Toy aqşamı” (The wedding evening), consisting of two parts, “Ağır ava” and “Haytarma”.

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FEATURES OF ACTOR TRAINING IN ROMANIAN THEATER PEDAGOGY

Posted in 2020, ARTS, Issue № 10(100) October 2020 | 0 comments

The paper explores the origins of modern deformations in actor training in Romania. The author established a connection between the degree of Stanislavsky system mastering and the professional success of actors and directors of this country. We should note that the early period of this system implementation (the 50s-70s of the XX century) is generally recognized as the golden era of the Romanian theatrical art. The author emphasizes that the more pedagogy moves away from this time, the more it becomes chaotic, eclectic, and unproductive. The method of the Romanian director Kozhar, as a simplified version of the system, returned an actor to the way of amateurism, and the method of V. Spolin, which was replaced by Stanislavsky’s exercises, blocks the student from mastering the basics of psychological theater.

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CERTAIN FEATURES OF IMAGE PERCEPTION AND RECOGNITION

Posted in 2020, ARTS, Issue № 08(98) August 2020 | 0 comments

This paper provides an overview of some contemporary research areas in the field of perception and recognition of visual information. In this article different other works that deal with the peculiarities of perception are studied, including the features of how different viewers visually perceive works of fine art, how neural responses emerge in the brain. Different studies on the analysis of eye movement and its influence on the process of perception and recognition of faces and emotions are described. Some characteristic signs of eye movement when scrolling through the web pages, the effect of contrast and visual stimuli on people with color perception issues are presented. There are shown certain works on image and scene recognition using computer vision, the possibility of creating such systems for people with visual impairment. Moreover, the advantages of binocular vision are discussed. The research on the study of perception of visual illusions in diagnosing brain disorders is also presented, including the description of a “hollow mask” illusion.

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“HARLEQUINADE” BALLET BY RICCARDO DRIGO: HISTORY AND MAIN EDITIONS

Posted in 2020, ARTS, Issue № 08(98) August 2020 | 0 comments

The paper considers the production of the “Harlequinade” performance (“Harlequin’s Millions,” which is the central composition in its artistic journey in Russia. This ballet is one of the works of the Italian maestro, written in collaboration with the great choreographer of the second half of the 19th century, Marius Petipa. Based on archival materials and the publication of periodicals of the second half of the 19th century, the author has restored the chronology of this performance creation by the composer and analyzed the further history of Harlequinade, which has been successfully performed today on the stage of Russia and abroad.

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HISTORY OF BOOK ART IN RUSSIA

Posted in 2020, ARTS, Issue № 08(98) August 2020 | 0 comments

Researching the book art’s agenda serves to provide insights into the cultural and artistic value of this genre for modern national art space. The article looks into the history of book art in Russia since its inception to the present. It gives examples of book art performed by artists of various art movements. A brief analysis of Wassily Kandinsky’s books “Klänge” and “Verses Without Words” is carried out. The differences between such artistic trends as “book art” and “artist’s book” are found out. The modern state of the book art genre in Saint Petersburg’s art space is analysed.

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DAGESTAN TRADITIONS OF ART WORK WITH HORN AND BONE

Posted in 2020, ARTS, Issue № 07(97) July 2020 | 0 comments

The traditions of both the ethnographic and modern periods in bone and horn processing in Dagestan have not yet been studied. Therefore, this article is devoted to the poorly studied problem of the artistic crafts of Dagestan. It is written based on the field, ethnographic, historical-art, and museum materials of famous crafts.

The paper describes the main directions of horn and bone processing, foreign cultural influences that affected their development, modern crafts of art work with a horn. Particular attention is paid to the characterization of the traditions of the art work with horn and bone, manufacturing products made of them, the development of decorative techniques for their processing in historical and modern culture. The authors trace the development paths, the technique of inlaying gold on ivory. Ivory inlaid gold, historically common in the art of vil. Kubachi is little known in the world as a decorative technique or as one of the additional jewelry techniques.

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“TYUTCHEV OF THE RUSSIAN MUSIC”. FROM THE CORRESPONDENCE OF S.N. DURYLIN AND N.K. MEDTNER

Posted in 2020, ARTS, Issue № 07(97) July 2020 | 0 comments

Turning to the epistolary heritage of S. N. Durylin and N. K. Medtner, the author emphasizes the unique role of the phenomenon of correspondence in the life of the Russian intelligentsia, the class that emerged in the pre-revolutionary period. S. N. Durylin sees the philosophical essence of the composer’s work, calling him the “Tyutchev of the Russian music.” This characteristic was further developed in the articles of I.A. Ilyin, a close friend of the musician, and can become a tuning fork in contemporary interpretation of the music and personality of N.K. Medtner, which is often contradictory.

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TELEVISION BALLET “COUNT NULIN” (1959): THE FIRST WORK OF THE NEW GENRE

Posted in 2020, ARTS, Issue № 07(97) July 2020 | 0 comments

The article is devoted to the creation of “Count Nulin,” the first Soviet television ballet in 1959. The production served as a starting point for the development of a new genre on the borderline of choreography and television with its expressive means and the technology of creation. The article describes the genre of the television ballet, its artistry, as well as the distinguishing features of the ballet master’s work on the television ballet. Particular attention is paid to the analysis of the way television directing and technologies available expand the scope of choreographer’s possibilities as well as the ballet itself as an art form.

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CREATIVE PRINCIPLES OF PIANO ENSEMBLE EDUCATIONAL PROGRAM

Posted in 2020, ARTS, Issue № 07(97) July 2020 | 0 comments

Reforming higher musical education based on a competency-based approach involves the development of new training programs in which standard and creative sections are aimed at creating the necessary prerequisites for the education of musicians. The standard sections include mainly quantitative indicators of academic hours, and creative ones include sections that reveal the features of the author’s vision of the educational process. The author offers the sections of the creative orientation of the Piano Ensemble curriculum, where the goals and objectives, axiological tools, contact work, and educational technologies are expressed.

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TENGRIAN ORNAMENTAL STYLE IN MODERN INDUSTRIAL AND DESIGN TEXTILES

Posted in 2020, ARTS, Issue № 06(96) June 2020 | 0 comments

Tengrian culture is one of the ancient cultures of nomadic tribes in the Eurasian space, which appeared at the turn of the 2,000 BC. A creed is a theory of the relationship of man and the supreme principle, combined into the concept of 3 worlds – cosmology, earthly and underground life. Using signs and symbols, they depicted the surrounding world; each sign had a semantic meaning personifying perpetual motion, development, improvement. The image of signs and symbols has not lost its relevance at the present time; designers often used Tengrian symbolism in the performance of decorative and applied items. The goal of the study is a composite solution of Tengrian symbols in photo textiles. The following questions are included in the research task: the significance of Tengrian signs and symbols in the worldview of the surrounding world; compositional solution of signs and symbols in the works of leading designers; the combination of the composition of signs and symbols with ornament; photo textile technology using Tengrian signs.

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ARTISTIC LANGUAGE OF MODERN STYLE IN SOVIET DESIGN

Posted in 2020, ARTS, Issue № 06(96) June 2020 | 0 comments

The paper presents the author’s approach to the study of the design on the cusp of the 1950-1960s as a concept of a new artistic language. Based on a comparative analysis of the space development principles and living environment within the framework of the avant-garde, Soviet neoclassicism, and modern style, a conclusion is drawn about a fundamentally new character and the actual birth of mass design in the late 1950s and early 1960s, which suggested not the adaptation of art to conditions living environment in the form of an artistic utterance (as part of the search for the avant-garde and Soviet neoclassicism), but forming through the industry (furniture, art industry, etc.) new living environment, addressed to a private person.

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CREATIVE PRIORITIES OF THE COMPOSER CEMIL KARIKOV EXEMPLIFIED BY “MINIATURES FOR A STRING QUARTET”

Posted in 2020, ARTS, Issue № 06(96) June 2020 | 0 comments

В данной статье рассматриваются тенденции реализации творческих и мировоззренческих устремлений крымскотатарского композитора Джемиля Карикова. Тематика его произведений часто связана с фольклорными образцами, где в талантливых обработках автор использует полифонические приемы, современные средства музыкального языка, джазовые ритмы. Преломление в композиторском творчестве народных национальных традиций наиболее полно себя проявляет в камерно-инструментальной и камерно-вокальной музыке. Оригинальным опусом композитора является сборник «Миниатюры для струнного квартета», включающий девять пьес. В некоторых их них использованы подлинные народные мелодии. Цель статьи – определение творческой платформы композитора Джемиля Карикова. Задачи заключаются в выявлении индивидуально-стилевых особенностей в «Миниатюрах для струнного квартета».

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PRINCIPLES OF ANALISIS THE AUTHOR’S STYLE IN FASHION ILLUSTRATION

Posted in 2014, ARTS, Issue October 2014 | 0 comments

The article is devoted to the problem of analysis of the author’s style in fashion illustration. The article considers different interpretations of the characteristics of the style, developed in the system of contemporary art theory and fashion. On the basis of the dedicated interpretations and also researches of the author of the article, were defined the main principles of the analysis of the style of fashion illustration.

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ROLE OF NEW INTERACTIVE PRACTICES IN AESTHETICS FORMATION OF MODERN THEATER AND MUSEUM SPACE

Posted in 2020, ARTS, Issue № 05(95) May 2020 | 0 comments

The paper discusses the trend towards interactivity in modern culture, the impact that new technologies have on the development of theatrical art, museum, and exhibition activities. The author analyzed the quest technology as a form of dramatic action, the way the drama theater developed at the beginning of the XXI century towards direct contact with the audience. The examples of intertextuality in a modern theater are considered here as one of the hidden forms of interactive communication with the audience based on the productions of plays by W. Shakespeare in the drama theaters of St. Petersburg. The author makes an attempt e to prove that the format of interactive practices with the use of the latest achievements of innovative visual arts not only expands the boundaries of museums, provides new opportunities for exhibiting works of art, but also leads to an expansion of communication functions, a change the role of the artist in a theater and a museum based on the example of performances and exhibition projects in Moscow and St. Petersburg.

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«…WHAT IT WAS AND WHAT IS IN RUSSIA»: V.V. ROZANOV «AMONG THE ARTISTS»

Posted in 2020, ARTS, Issue № 05(95) May 2020 | 0 comments

The article considers the original key to the phenomena of the art of the Russian thinker Vasily Vasilyevich Rozanov based on the appeal to a number of his works from the “Among the artists” book. Belonging to the Silver Age, having a “melodic soul set” and the artistic order of philosophical consciousness, Rozanov was rooted in the centuries-old traditions of Russian culture.

The article reveals the nature of Rozanov’s thought, gives an idea of the rich spectrum of his philosophical and artistic consciousness, emphasizing archetypal spiritual phenomena, vigilantly revealing the most important meanings of the historical life of Russia.

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FOCUS ON ART OF WORLD WAR II IN CONTEXT OF PROBLEM OF USING TRADITIONAL CULTURAL SYMBOLS

Posted in 2019, ARTS, Issue № 12(90) December 2019 | 0 comments

The paper considers the problem of using the traditional symbolic system, which is introduced into the Soviet culture of the specified period – these images are mostly warlike, which is explained by their importance under the conditions of anticipation and warfare. But here we cannot talk about the dominance of only militaristic aesthetics. The demarcation feature is visible in the appeal to one’s tradition, which distinguished two totalitarian systems that apply their established values to the practices of transforming the self-identification of mankind. We can also trace the development of the cultural atmosphere in the USSR of the studied period during wartime, both in the Soviet poster and in other forms of art, in connection with the appeal to traditional values.

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DESIGN OF MUSIC FESTIVAL “JAZZ OVER DON”

Posted in 2019, ARTS, Issue № 12(90) December 2019 | 0 comments

The goal of this study is to develop the design concept of the festival space for jazz music “Jazz over Don.” The object of research is the formation of the visual design of the festival space of jazz music. The subject of the study is advertising and graphic support of the jazz music festival. The history of jazz music development and jazz festivals were analyzed, the features of the organization and design of the space of the music festival were determined, as well as the design concept of the jazz music festival to cope with this task. The scientific hypothesis is as follows: the festival space with the use of modern graphic software will contribute to the promotion and popularization of jazz music. During the selection of information, the methods of comparison, description, analysis of scientific literature were used, while developing the design concept, the scenario method of designing the festival space was used as well. the feature of the design concept is the use of art therapy by means of fine art. Creating a visual image of jazz music will allow people to express their emotions through creativity and art. The design concept of a music jazz festival can be implemented to strengthen creative contacts between an audience of different ages, different cultures and will support the development of an aesthetic perception of live music through art therapy.

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DICHOTOMY OF PLOT AND PLAY INCORPORATED IN TEXT OF “THE BALD SOPRANO” PLAY BY E. IONESKO

Posted in 2019, ARTS, Issue № 11(89) November 2019 | 0 comments

The paper considers fundamentally important points in the work of a theater director on absurd texts. Play “the Bald Soprano” by E. Ionesco was taken as an example. The author analyzes the play from the point of view of an author’s manner to use a specific language, where many answers to directorial questions are encoded. Among them are the following: how to find the semantic center of the performance, conflict, action, series of events, expressive means. The necessity of creating a two-stage scenic structure that connects the plot (event) line of the performance with the super-story (play) is revealed. The concept of a play is considered in the light of the ideas of J. Huizing. Based on the text, the examples of combining the method of effective analysis of G.A. Tovstonogov and the principles of the paly theater developed by A. Vasiliev are given. It is concluded that, if this integrated approach is used, a director can come up with an interesting and unexpected solution to one of the most difficult plays in the world repertoire, which is “The Bald Soprano” by E. Ionesco.

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