Aim: to identify the salient features of the Eroticism of the art nouveau style and define artistic-expressive style tools for transfer of erotic images.
Objectives of research: examine the effects of various artistic and aesthetic systems, trends and genres, including the erotic genre “shunga” Japanese prints “Ukiyo-e” on the book graphic artists of the art nouveau style; trace the extent of borrowing structural elements of aesthetic principles and motives.
This research will broaden and deepen perceptions about specifics of shaped and expressive system means the art nouveau style, show the existence of possible means of art contribute to the phenomenon of life and daily start and aesthetic beauty.
One of perspective regions of tourism development and hospitality is the Republic of Buryatia. Now tourism in to the republic Buryatia has the specifics in communications with multiethnic and confessional features of the Baikal region. Authors of this article disclose technology development, physical and spiritual the tourist industry constituting specialists that, certainly, is the urgent direction the personnel qualified.ㅤ
The article in summary form describes the cultural and historical stages of formation of Russian entrepreneurship. Analysis of the motives of entrepreneurial activity in Russia allows the author to show the influence of the liberal reforms 60-70-ies of the XIX century in the process of developing a new system of social and cultural values that significantly affect the image of the entrepreneur. A new understanding of the specificity and identity of the Russian entrepreneurship, which is currently are potential for its revival.
The purpose of this article is the analysis of one of the main features of the era of Russian vanguard at the beginning of the XX century, its creative dynamism which gives the chance to connect the past and the present, to show the process of the formation of national culture in her integrity and variety.
One of the defining lines of this period – the creativity (creatio – to create), which has found the embodiment in the works of artists, theorists and writer,s has been designated.
The main attention is paid to the image of the artist-poet David Burliuk, the variety of manifestations of his creative personality has been noted.
The subject reveals through D. Burliuk’s friendship with the theorists N. Evreinov and B. Livshits who created his bright figurative portraits. The artist is shown also in his creativity and in communication with his friends and relatives, in particular, with V. Mayakovsky, A. Exter and others. In the article the examination of D. Burliuk’s creativity by the leading Russian painter I. Repin has been also given.
The analyzed episodes give the possibility to draw a conclusion about the character of that era, its creative originality on the example of relationship of outstanding cultural personalities of the Russian vanguard at the beginning of the XX century.
The paper analyzes the economic relations between the Russian Federation and the Republic of Azerbaijan during the period of 2000-2015. The aim of the paper is to confirm the hypothesis about dependence within policies of country branding, images of countries and their economic activities. The data of four spheres of economic relations were used during the analysis: legal aspect, power unit, non-energy unit and sphere of bilateral investment. As a result it has been found that the image and policy of country branding bilaterally depend on economic activities of two countries. It has been revealed that the country’s economy is the integral component of the country’s image and policies of country branding.
Substantiates the importance of the Museum in contemporary culture as a center of accumulation, research and transmission of cultural heritage, both material and intangible. Has an axiological and social functions of the Museum as a leading in today’s ever-changing socio-cultural situation. The processes of information and active development of information technologies allow to upgrade the communicative activities of a modern Museum, to infuse it with innovative approaches to presenting Museum exhibits.