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Submit scientific paper, scientific publications, International Research Journal | Meždunarodnyj naučno-issledovatel’skij žurnal

ISSN 2227-6017 (ONLINE), ISSN 2303-9868 (PRINT), DOI: 10.18454/IRJ.2227-6017
ПИ № ФС 77 - 51217

ABOUT COMPOSITE DIMINUENDO IN TCHAIKOVSKY’S PLAY “THE ORGAN-GRINDER SINGS”

Posted in 2017, ARTS, Issue № 1(55) January 2017 | 0 comments

In the course of consideration of the play of Tchaikovsky traditional criteria of the domestic theory of simple forms on the one hand and some criteria of the theory of the mixed forms with another are applied to her composition. Interaction of structural and composite, motivno-intonational, harmonious, impressive and dynamic aspects of development is shown, the essential role of composite features in the embodiment of a musical image of the play is confirmed. Results can be used in practice of teaching the analysis of pieces of music at implementation of the main educational programs of the higher education.

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FILM EDITING. HISTORICAL ASPECT

Posted in 2017, ARTS, Issue № 2(56) February 2017 | 0 comments

The subject of this study is the film editing as a process and the method of artistic thinking. The comparative analysis was made between the statements of film directors, critics and art historians to study the development of ideas about the film editing as a means of artistic expression. The article describes the historical and aesthetic regularities of film editing’s development as art language and reflection of artistic way of thinking during the twentieth century.The article shows the diversity of research approaches and opinions about the specifics of film editing. Representations about the nature of film editing illustrated by examples from the practice of cinema classics. The extensive experience of cinema in the light of new audio-visual equipment summarized.

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FOLK TEXT AND MODAL-TONAL AUTHORIAL CONTEXT IN THE WORKS OF FAR EASTERN COMPOSERS

Posted in 2017, ARTS, Issue № 2(56) February 2017 | 0 comments

Native and emigrant folklore of the Russian Far East is at the center of constant attention on behalf of the composers of the region. At the end of the 1960s – 1990s folklore is reinterpreted in a complex authorial context, which is significant for the stylistic evolution of the Far Eastern composer’s folklorism as a whole. The article reveals specific modifications of the folklore text – diatonic modal invariant – in modern chromatic thinking. We have made conclusions about the preservation of original folk-modal parameters of the inverse image in individual works of a performer as a central organizing element of the twelve-modality.

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THE ROLE OF THE LENINGRAD GROUP “MITKI» FOR THE ARTIST PUBLIC ART BY NIKOLAY POLISSKY

Posted in 2017, ARTS, Issue № 2(56) February 2017 | 0 comments

The study looks at the development of creativity of Nikolay Polissky from comic collective projects to deep in its contents monumental objects of public art and reveals the role of the “Mitki” for further activities of the artist. The purpose of the study was to identify the role of the underground group Mitki for the creativity of Nikolay Vladimirovich Polissky, an artist who creates public art and land art works since the late 90’s-early 2000-ies. It is also supposed to identify the vector of development of the artist’s work from the 1980s to the present day.

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ETHNO MYTHOLOGICAL IMAGES AND SYMBOLS IN DECORATIVE AND PLASTIC COMPOSITION “THE LEGEND ABOUT SIKHIRTYA”: THEORETICAL ASPECT (PART 2)

Posted in 2017, ARTS, Issue № 1(55) January 2017 | 0 comments

In this article ethnographic sources are considered: legends of Nenets in which are mentioned the mysterious people Sikhirtya. Influence of the ancient donenetsky population – Sikhirtya, is reflected in traditions of art culture of Nenets in a tendency of modern professional art of Western Siberia and Cisural area. Historical development of art ceramics as type of DPI, and also formation of main types of ceramics is analysed. Article will be useful to reading to students and professionals in the field of DPI.

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THE EVOLUTION OF THE GENRE-STYLE FEATURES MUSIC FOR DOMRA THE END OF THE XX CENTURY

Posted in 2017, ARTS, Issue № 1(55) January 2017 | 0 comments

In this article highlighted some issues development of playing domra in the context of folk instrumental art of XX century; examined dominant genre and stylistic features original music for domra the end of the XX century; approved by the thesis about the prospects of development of domra as a «concert-academic» instrument; Sofia Gubaidulina composition analyzed through the prism of traditional and modern means of expressiveness in chamber music for domra end of the XX century. Claiming the idea that the development of domra, from his beginnings buffoonery to the professionalization finally took place in the last third of the XX century, developed the idea the deepening of figurative sphere and formation of a new timbre and sound dominant in chamber music for domra the end of the XX century.

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